Tutorial on Vocal Recording--How to Make the Most of a Low-Grade Setup
It's tough to work out all the little kinks in the equipment one has. Most people don't have a lot of money to spend on making a studio, and even if they did, why would you want to unless you were going to make money off of it? Mods don't generally bring in any cash, except maybe the price of the CD and packaging, which evens out to a profit margin of 0 cents. Not very lucrative.
There are ways to make the best of what little resources you've got. These are what I've learned from a few years as an amateur voice actress, a series of tips I wrote up for someone who asked me. Hopefully, they will help you if you need it.
Things everyone should know:
1--Use the right microphone. Microphones can be very important, in a very simple way. There are two basic types, omnidirectional and unidirectional. The uni mic pics up sound from one single direction and makes the voice sound very flat. The omnidirectional, therefore, is the one you want--it picks up sound from all around, drinking in all the fullness of your voice. I recommend the Compaq omnidirectional, which is a mere $5-$10, and well worth the money.
2--DON'T record wavs in 8-bit sound. Windows Sound Recorder is generally a bad idea. Maybe there's a workaround, but all I've ever been able to get it to do is record in 8-bit. Right click on a file you've recorded in Explorer, hit properties, hit details, then check what it says about the file. If you're getting something like 'PCM, 22khz, 8-bit, MONO' everything is fine except the 8-bit. 22khz is as good as 44khz, little quality lost, nothing wrong with going Mono instead of Stereo, but 8-bit is fuzzy and horrid; you want 16-bit... (or ADPCM 4-bit, if you absolutely must have small size. This format is both smaller and better than 8-bit.) I recommend that you find a good shareware or freeware recorder online, or that you use whatever came with your sound card. Montego's WAVEplay works well; it's what I personally use.
Ways to improve comfort and performance:
3--Avoid the jarring annoyance of plosives. Regardless of whether or not your microphone has a screen, you need to construct something to cut out plosives (those loud noises that come from breaths and the letter 'p'). All you need is a few layers of pantyhose material; if you can, make a circular frame out of a wire hanger and affix it to the mic so that the hose is about an inch out from the mic. Now hold the mic two or three inches from your face when you record, and that should help a lot with those noises. Before I did this I always had to re-record because every time I said "put" or "but" it sounded like an explosion. My performance suffered because of that; I kept having to focus more on softening my 'p's and such than on acting well.
4--Make your own blanket studio. Sometimes, a voice sounds very flat from bouncing off the walls of a room. You can avoid this very simply: Drape a thick blanket over your head and microphone. Make sure it is secure and not going to fall on your face while you're recording, and avoid letting it fall over the fans of your computer; this could cause it to overheat eventually, which would be very bad. So be careful, but I highly recommend and extensively use this trick.
Things to try if you still get a buzz or a thump:
5--Anchor your mic. If you try to hold your mic, you may come up with 'flutter'. Whether you're nervous or not, chances are, there will be sound picked up from the movements of your hand. Tape your microphone, give it a stand, or wedge it under the power switching system; anywhere you can sit comfortably in front of it without touching it or having it wiggle around a lot. The calmer you are, the more your focus is on imagination rather than the recording process, the better you will sound in the end.
6--Keep the recording volume down.If it's really loud and you're really quiet when speaking, then chances are you'll pick up an unusual amount of sound. If you're using an omni microphone (which you should be) and there is noise coming from the fans, you will probably pick some of it up. This will be far less noticeable if you can project your voice and keep the recording volume at a moderate rather than high level.
7--Check your equipment jacks. Meaning, where the stuff is plugged in to your computer. Sometimes the way your mic is plugged in makes a difference; twist/jiggle it around a little and see if that helps.
8--Check your speakers and other mechanical devices. If you're hearing weird sounds under your voice and in the silence between words, chances are, you have electrical noise. Oh, boy, does this bite... you can drive yourself crazy trying to figure out what's happening. Still, try a few simple things... record with speakers off, with the air conditioner off, etc.
If, after all these tips have been tried, you still can't make things work... well, the only thing I know to say is, "How 'bout that personal studio after all?" ;D
Tutorial on Voice Recordings
Started by
-Wynne-
, Apr 02 2004 02:54 AM
5 replies to this topic
#2
Zoraciel Ivtel
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- Member
- 94 posts
Posted 03 June 2007 - 04:31 PM
It actually is possible to change from 8-bit sound in Window's Sound recorder. Go to File, Properties, clicks the "Convert Now" button, select the attributes you want, and click Save as. You should then be able recording in that format.
#3
Posted 21 March 2008 - 10:49 AM
I find the recommendation of omnidirectional instead of unidirectional mics to be unsound (pun intended). You want to isolate the speaker's voice, and not capture other noises that might be in close proximity and that will be impossible to eliminate from the basic track, once recorded. If you want pro audio gear, buy a Shure Beta57, or even a Beta58, but don't go with anything cheaper. If a simple computer mic is sufficient to your needs (and I'm skeptical about that, but that's just me), I don't have any recommendations, as my only familiarity is with the Apple PlainTalk mic, and that model doesn't even work with either my G4 Quicksilver or my G4 Sawtooth, for reasons unknown.
$.02,
Eric
$.02,
Eric
Working and playing on a Mac Pro 6,1 running Mac OS X 10.13.6 High Sierra, and a Mac Pro 3,1 running Mac OS X 10.11.6 El Capitan.
~Buion na 'ell! I serve with joy! Your eyes and ears I shall be. Let us hunt together!~
- Erysseril Gwaethorien: a joinable, romanceable NPC mod for BGII - SoA/ToB, in sporadic development.
A female elf warrior of nature and a Bhaalspawn cross paths during their quests, joining forces to share adventure and companionship. Will they find more?
#4
khay
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- Modder
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- 1719 posts
Swords to Rust, Hearts to Dust
Posted 21 March 2008 - 02:20 PM
Let`s say I bought Shure SM58a, cause that`s the one I`m keeping my eyes on - do I need to buy anything else to connect it to my PC? From what I read it`s not just simply connecting it to my soundcard, but I don`t understand what else must be done.
#5
Posted 18 July 2010 - 11:27 AM
Let`s say I bought Shure SM58a, cause that`s the one I`m keeping my eyes on - do I need to buy anything else to connect it to my PC? From what I read it`s not just simply connecting it to my soundcard, but I don`t understand what else must be done.
The microphone uses an XLR cable, so you'll need a high <-> low Z adaptor to enable you to plug into a 1/4" jack. If your sound card has a 1/4" port for an instrument cable, plug in and try. If not, you'll also need some kind of instrument interface (breakout box). Some such boxes have an XLR jack, too, so if you go that route, you won't need the adaptor.
- E
Working and playing on a Mac Pro 6,1 running Mac OS X 10.13.6 High Sierra, and a Mac Pro 3,1 running Mac OS X 10.11.6 El Capitan.
~Buion na 'ell! I serve with joy! Your eyes and ears I shall be. Let us hunt together!~
- Erysseril Gwaethorien: a joinable, romanceable NPC mod for BGII - SoA/ToB, in sporadic development.
A female elf warrior of nature and a Bhaalspawn cross paths during their quests, joining forces to share adventure and companionship. Will they find more?
#6
Posted 18 July 2010 - 11:38 AM
Voice recordings:
Control sibilance (the s, sh, and ch sounds) by adjusting 7.5 kHz to 10 kHz
As mentioned before, use a windscreen to soften plosives (p, k, d, t, and b sounds)
Position the mic at a 45-degree angle, poining upward toward the mouth - never straight on!
The mic's diaphragm must be close to the screen.
The close the mic is to the mouth, the more lower frequencies are captured.
Position any paper notes on a music stand or similar, so the vocalist can see, but so sound won't bounce back to the mic.
If the vocalist stands to record, the mic should point downward slightly, toward the vocalist, encouraging straighter posture.
The vocalist's mouth should be 3" - 6" from the screen.
Input gain should always be as high as possible with little to no peaking, to capture the strongest signal that can then be adjusted once the track is recorded.
A voice's fullness is at 120 Hz; boominess at 240 Hz; presence at 5 kHz; air at 10 kHz - 15 kHz.
If the recording sounds muddy, cut some at 250 Hz. If it sounds honky, cut some at 500 Hz.
Cut if you're trying to make things sound better. Boost if you're trying to make things sound different.
These are Golden Rules of EQ
Happy recording,
Eric
Control sibilance (the s, sh, and ch sounds) by adjusting 7.5 kHz to 10 kHz
As mentioned before, use a windscreen to soften plosives (p, k, d, t, and b sounds)
Position the mic at a 45-degree angle, poining upward toward the mouth - never straight on!
The mic's diaphragm must be close to the screen.
The close the mic is to the mouth, the more lower frequencies are captured.
Position any paper notes on a music stand or similar, so the vocalist can see, but so sound won't bounce back to the mic.
If the vocalist stands to record, the mic should point downward slightly, toward the vocalist, encouraging straighter posture.
The vocalist's mouth should be 3" - 6" from the screen.
Input gain should always be as high as possible with little to no peaking, to capture the strongest signal that can then be adjusted once the track is recorded.
A voice's fullness is at 120 Hz; boominess at 240 Hz; presence at 5 kHz; air at 10 kHz - 15 kHz.
If the recording sounds muddy, cut some at 250 Hz. If it sounds honky, cut some at 500 Hz.
Cut if you're trying to make things sound better. Boost if you're trying to make things sound different.
These are Golden Rules of EQ
Happy recording,
Eric
Working and playing on a Mac Pro 6,1 running Mac OS X 10.13.6 High Sierra, and a Mac Pro 3,1 running Mac OS X 10.11.6 El Capitan.
~Buion na 'ell! I serve with joy! Your eyes and ears I shall be. Let us hunt together!~
- Erysseril Gwaethorien: a joinable, romanceable NPC mod for BGII - SoA/ToB, in sporadic development.
A female elf warrior of nature and a Bhaalspawn cross paths during their quests, joining forces to share adventure and companionship. Will they find more?
